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<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:taxo="http://purl.org/rss/1.0/modules/taxonomy/" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" version="2.0"><channel><title>MacVideo.tv Features</title><link>http://www.macvideo.tv/features/</link><description>Latest feature articles from MacVideo.tv</description><language>en</language><pubDate>Thu, 17 May 2012 09:13:55 GMT</pubDate><lastBuildDate>Thu, 17 May 2012 09:13:55 GMT</lastBuildDate><ttl>2</ttl><item><title>Live vision mixing with the Datavideo SE-2000, HD SDI vision switcher</title><link>http://rss.feedsportal.com/c/575/f/7359/s/1f4135f0/l/0L0Spcadvisor0O0Cdistribution0Cfeatures0C0Darticleid0F32786960Golo0Frss/story01.htm</link><description>Vision mixing on location has traditionally been very expensive, requiring a significant amount of peripheral products. The affordable Datavideo SE-2000 offers HD quality inside of a portable unit which features: up to 5 inputs (4 HD SDI, &amp; DVI); built in audio mixer; HD quality from input to output.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/575/f/7359/s/1f4135f0/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Live+vision+mixing+with+the+Datavideo+SE-2000%2C+HD+SDI+vision+switcher&amp;link=http%3A%2F%2Fwww.pcadvisor.co.uk%2Fdistribution%2Ffeatures%2F%3Farticleid%3D3278696%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/bookmark.cfm?title=Live+vision+mixing+with+the+Datavideo+SE-2000%2C+HD+SDI+vision+switcher&amp;link=http%3A%2F%2Fwww.pcadvisor.co.uk%2Fdistribution%2Ffeatures%2F%3Farticleid%3D3278696%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/bookmark.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/134204098814/u/0/f/7359/c/575/s/1f4135f0/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/134204098814/u/0/f/7359/c/575/s/1f4135f0/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/134204098814/u/0/f/7359/c/575/s/1f4135f0/a2t.img" border="0"/&gt;</description><enclosure url="http://rss.feedsportal.com/c/575/f/7359/e/1/s/1f4135f0/l/0Lcdn0Bmacvideo0Btv0Ccmsdata0Cfeatures0C32786960CVIsionMixerStill0Bjpg/VIsionMixerStill.jpg" length="100" type="image/jpeg" /><category domain="">distribution</category><pubDate>Thu, 16 Feb 2012 00:14:00 GMT</pubDate><author>ricky_young@idg.co.uk (RIck Young</author><guid isPermaLink="false">http://www.pcadvisor.co.uk/distribution/features/?articleid=3278696</guid></item><item><title>Live vision mixing with the Datavideo SE-2000, HD SDI vision switcher</title><link>http://rss.feedsportal.com/c/575/f/7359/s/1e1c9db9/l/0L0Smacvideo0Btv0Dolo0Frss/story01.htm</link><description>Vision mixing on location has traditionally been very expensive, requiring a significant amount of peripheral products. The affordable Datavideo SE-2000 offers HD quality inside of a portable unit which features: up to 5 inputs (4 HD SDI, &amp; DVI); built in audio mixer; HD quality from input to output.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/575/f/7359/s/1e1c9db9/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Live+vision+mixing+with+the+Datavideo+SE-2000%2C+HD+SDI+vision+switcher&amp;link=http%3A%2F%2Fwww.macvideo.tv%3Folo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/bookmark.cfm?title=Live+vision+mixing+with+the+Datavideo+SE-2000%2C+HD+SDI+vision+switcher&amp;link=http%3A%2F%2Fwww.macvideo.tv%3Folo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/bookmark.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/130996522113/u/0/f/7359/c/575/s/1e1c9db9/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/130996522113/u/0/f/7359/c/575/s/1e1c9db9/a2.img" border="0"/&gt;&lt;/a&gt;&lt;img width="1" height="1" src="http://pi.feedsportal.com/r/130996522113/u/0/f/7359/c/575/s/1e1c9db9/a2t.img" border="0"/&gt;</description><category domain="">distribution</category><pubDate>Thu, 16 Feb 2012 00:14:00 GMT</pubDate><author>ricky_young@idg.co.uk (RIck Young)</author><guid isPermaLink="false">http://www.macvideo.tv</guid></item><item><title>Live vision mixing with the Datavideo SE-2000, HD SDI vision switcher</title><link>http://rss.feedsportal.com/c/575/f/7359/s/14b3ed0a/l/0L0Smacvideo0Btv0Cdistribution0Cfeatures0C0Darticleid0F32786960Golo0Frss/story01.htm</link><description>Vision mixing on location has traditionally been very expensive, requiring a significant amount of peripheral products. The affordable Datavideo SE-2000 offers HD quality inside of a portable unit which features: up to 5 inputs (4 HD SDI, &amp; DVI); built in audio mixer; HD quality from input to output.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/575/f/7359/s/14b3ed0a/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/sendemail2.html?title=Live+vision+mixing+with+the+Datavideo+SE-2000%2C+HD+SDI+vision+switcher&amp;link=http%3A%2F%2Fwww.macvideo.tv%2Fdistribution%2Ffeatures%2F%3Farticleid%3D3278696%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/bookmark.cfm?title=Live+vision+mixing+with+the+Datavideo+SE-2000%2C+HD+SDI+vision+switcher&amp;link=http%3A%2F%2Fwww.macvideo.tv%2Fdistribution%2Ffeatures%2F%3Farticleid%3D3278696%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/bookmark.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/101091713196/u/0/f/7359/c/575/s/14b3ed0a/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/101091713196/u/0/f/7359/c/575/s/14b3ed0a/a2.img" border="0"/&gt;&lt;/a&gt;</description><enclosure url="http://rss.feedsportal.com/c/575/f/7359/e/1/s/14b3ed0a/l/0Lcdn0Bmacvideo0Btv0Ccmsdata0Cfeatures0C32786960CVIsionMixerStill0Bjpg/VIsionMixerStill.jpg" length="100" type="image/jpeg" /><category domain="">distribution</category><pubDate>Thu, 16 Feb 2012 00:14:00 GMT</pubDate><author>ricky_young@idg.co.uk (RIck Young)</author><guid isPermaLink="false">http://www.macvideo.tv/distribution/features/?articleid=3278696</guid></item><item><title>Rick's Camera Tips (part 1)</title><link>http://rss.feedsportal.com/c/575/f/7359/s/1f4f13b2/l/0L0Spcadvisor0O0Ccamera0Etechnology0Cfeatures0C0Darticleid0F3290A7680Golo0Frss/story01.htm</link><description>Producer/Director Rick Young runs through camera equipment which be brings on location. A run-through of essential equipment, what you need, what to bring for different shoots, how to manage the gear. Filming on location and being prepared for whatever the client throws at you. Filmed prior to the main show at MacVideo Expo, June 9, 2011.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/575/f/7359/s/1f4f13b2/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Rick%27s+Camera+Tips+%28part+1%29&amp;link=http%3A%2F%2Fwww.pcadvisor.co.uk%2Fcamera-technology%2Ffeatures%2F%3Farticleid%3D3290768%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/bookmark.cfm?title=Rick%27s+Camera+Tips+%28part+1%29&amp;link=http%3A%2F%2Fwww.pcadvisor.co.uk%2Fcamera-technology%2Ffeatures%2F%3Farticleid%3D3290768%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/bookmark.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;</description><enclosure url="http://rss.feedsportal.com/c/575/f/7359/e/1/s/1f4f13b2/l/0Lcdn0Bmacvideo0Btv0Ccmsdata0Cfeatures0C3290A7680CRickMVExpo10Bjpg/RickMVExpo1.jpg" length="100" type="image/jpeg" /><category domain="">camera-technology</category><pubDate>Tue, 07 Feb 2012 10:17:00 GMT</pubDate><author>ricky_young@idg.co.uk (Rick Young</author><guid isPermaLink="false">http://www.pcadvisor.co.uk/camera-technology/features/?articleid=3290768</guid></item><item><title>Rick's Camera Tips (part 1)</title><link>http://rss.feedsportal.com/c/575/f/7359/s/1e1c9dbd/l/0L0Smacvideo0Btv0Dolo0Frss/story01.htm</link><description>Producer/Director Rick Young runs through camera equipment which be brings on location. A run-through of essential equipment, what you need, what to bring for different shoots, how to manage the gear. Filming on location and being prepared for whatever the client throws at you. Filmed prior to the main show at MacVideo Expo, June 9, 2011.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/575/f/7359/s/1e1c9dbd/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Rick%27s+Camera+Tips+%28part+1%29&amp;link=http%3A%2F%2Fwww.macvideo.tv%3Folo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/bookmark.cfm?title=Rick%27s+Camera+Tips+%28part+1%29&amp;link=http%3A%2F%2Fwww.macvideo.tv%3Folo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/bookmark.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;</description><category domain="">camera-technology</category><pubDate>Tue, 07 Feb 2012 10:17:00 GMT</pubDate><author>ricky_young@idg.co.uk (Rick Young)</author><guid isPermaLink="false">http://www.macvideo.tv</guid></item><item><title>Rick's Camera Tips (part 1)</title><link>http://rss.feedsportal.com/c/575/f/7359/s/16997fdf/l/0L0Smacvideo0Btv0Ccamera0Etechnology0Cfeatures0C0Darticleid0F3290A7680Golo0Frss/story01.htm</link><description>Producer/Director Rick Young runs through camera equipment which be brings on location. A run-through of essential equipment, what you need, what to bring for different shoots, how to manage the gear. Filming on location and being prepared for whatever the client throws at you. Filmed prior to the main show at MacVideo Expo, June 9, 2011.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/575/f/7359/s/16997fdf/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/sendemail2.html?title=Rick%27s+Camera+Tips+%28part+1%29&amp;link=http%3A%2F%2Fwww.macvideo.tv%2Fcamera-technology%2Ffeatures%2F%3Farticleid%3D3290768%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/bookmark.cfm?title=Rick%27s+Camera+Tips+%28part+1%29&amp;link=http%3A%2F%2Fwww.macvideo.tv%2Fcamera-technology%2Ffeatures%2F%3Farticleid%3D3290768%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/bookmark.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/106217223393/u/0/f/7359/c/575/s/16997fdf/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/106217223393/u/0/f/7359/c/575/s/16997fdf/a2.img" border="0"/&gt;&lt;/a&gt;</description><enclosure url="http://rss.feedsportal.com/c/575/f/7359/e/1/s/16997fdf/l/0Lcdn0Bmacvideo0Btv0Ccmsdata0Cfeatures0C3290A7680CRickMVExpo10Bjpg/RickMVExpo1.jpg" length="100" type="image/jpeg" /><category domain="">camera-technology</category><pubDate>Tue, 07 Feb 2012 10:17:00 GMT</pubDate><author>ricky_young@idg.co.uk (Rick Young)</author><guid isPermaLink="false">http://www.macvideo.tv/camera-technology/features/?articleid=3290768</guid></item><item><title>Testing the Rycote Softie</title><link>http://rss.feedsportal.com/c/575/f/7359/s/1f0cfbd8/l/0L0Spcadvisor0O0Ccamera0Etechnology0Cfeatures0C0Darticleid0F32973680Golo0Frss/story01.htm</link><description>Rycote was founded in 1969 by an engineer with a problem - how to make audio recordings on location uninterrupted by the sound of the wind. The innovative, straightforward approach to problem-solving that led to the creation of the first Rycote windshields - made by professionals, for professionals - still drives the company over 40 years later.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/575/f/7359/s/1f0cfbd8/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Testing+the+Rycote+Softie&amp;link=http%3A%2F%2Fwww.pcadvisor.co.uk%2Fcamera-technology%2Ffeatures%2F%3Farticleid%3D3297368%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/bookmark.cfm?title=Testing+the+Rycote+Softie&amp;link=http%3A%2F%2Fwww.pcadvisor.co.uk%2Fcamera-technology%2Ffeatures%2F%3Farticleid%3D3297368%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/bookmark.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;</description><enclosure url="http://rss.feedsportal.com/c/575/f/7359/e/1/s/1f0cfbd8/l/0Lcdn0Bmacvideo0Btv0Ccmsdata0Cfeatures0C32973680CRycote10A0Bjpg/Rycote10.jpg" length="100" type="image/jpeg" /><category domain="">camera-technology</category><pubDate>Wed, 01 Feb 2012 00:36:00 GMT</pubDate><author>ricky_young@idg.co.uk (Rick Young</author><guid isPermaLink="false">http://www.pcadvisor.co.uk/camera-technology/features/?articleid=3297368</guid></item><item><title>Testing the Rycote Softie</title><link>http://rss.feedsportal.com/c/575/f/7359/s/1e1c9dc1/l/0L0Smacvideo0Btv0Dolo0Frss/story01.htm</link><description>Rycote was founded in 1969 by an engineer with a problem - how to make audio recordings on location uninterrupted by the sound of the wind. The innovative, straightforward approach to problem-solving that led to the creation of the first Rycote windshields - made by professionals, for professionals - still drives the company over 40 years later.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/575/f/7359/s/1e1c9dc1/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Testing+the+Rycote+Softie&amp;link=http%3A%2F%2Fwww.macvideo.tv%3Folo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/bookmark.cfm?title=Testing+the+Rycote+Softie&amp;link=http%3A%2F%2Fwww.macvideo.tv%3Folo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/bookmark.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;</description><category domain="">camera-technology</category><pubDate>Wed, 01 Feb 2012 00:36:00 GMT</pubDate><author>ricky_young@idg.co.uk (Rick Young)</author><guid isPermaLink="false">http://www.macvideo.tv</guid></item><item><title>Testing the Rycote Softie</title><link>http://rss.feedsportal.com/c/575/f/7359/s/176cac09/l/0L0Smacvideo0Btv0Ccamera0Etechnology0Cfeatures0C0Darticleid0F32973680Golo0Frss/story01.htm</link><description>Rycote was founded in 1969 by an engineer with a problem - how to make audio recordings on location uninterrupted by the sound of the wind. The innovative, straightforward approach to problem-solving that led to the creation of the first Rycote windshields - made by professionals, for professionals - still drives the company over 40 years later.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/575/f/7359/s/176cac09/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/sendemail2.html?title=Testing+the+Rycote+Softie&amp;link=http%3A%2F%2Fwww.macvideo.tv%2Fcamera-technology%2Ffeatures%2F%3Farticleid%3D3297368%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/bookmark.cfm?title=Testing+the+Rycote+Softie&amp;link=http%3A%2F%2Fwww.macvideo.tv%2Fcamera-technology%2Ffeatures%2F%3Farticleid%3D3297368%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/bookmark.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/110621298907/u/0/f/7359/c/575/s/176cac09/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/110621298907/u/0/f/7359/c/575/s/176cac09/a2.img" border="0"/&gt;&lt;/a&gt;</description><enclosure url="http://rss.feedsportal.com/c/575/f/7359/e/1/s/176cac09/l/0Lcdn0Bmacvideo0Btv0Ccmsdata0Cfeatures0C32973680CRycote10A0Bjpg/Rycote10.jpg" length="100" type="image/jpeg" /><category domain="">camera-technology</category><pubDate>Wed, 01 Feb 2012 00:36:00 GMT</pubDate><author>ricky_young@idg.co.uk (Rick Young)</author><guid isPermaLink="false">http://www.macvideo.tv/camera-technology/features/?articleid=3297368</guid></item><item><title>M dot Strange: Live in London (part 2)</title><link>http://rss.feedsportal.com/c/575/f/7359/s/1e1c9dc3/l/0L0Smacvideo0Btv0Dolo0Frss/story01.htm</link><description>M dot Strange tells his story: what has driven him to become the creator of the hugely successful full-blown animated feature film, We Are the Strange. Recorded live at MacVideo Expo, London, M dot Strange previews, for the first time ever, excerpts from his new movie, soon to be released: Heart String Marionette.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/575/f/7359/s/1e1c9dc3/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=M+dot+Strange%3A+Live+in+London+%28part+2%29&amp;link=http%3A%2F%2Fwww.macvideo.tv%3Folo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/bookmark.cfm?title=M+dot+Strange%3A+Live+in+London+%28part+2%29&amp;link=http%3A%2F%2Fwww.macvideo.tv%3Folo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/bookmark.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;</description><category domain="">motion-graphics-vfx</category><pubDate>Tue, 24 Jan 2012 11:16:00 GMT</pubDate><author>ricky_young@idg.co.uk (Rick Young)</author><guid isPermaLink="false">http://www.macvideo.tv</guid></item><item><title>M dot Strange: Live in London (part 2)</title><link>http://rss.feedsportal.com/c/575/f/7359/s/1c16ed13/l/0L0Smacvideo0Btv0Cmotion0Egraphics0Evfx0Cfeatures0C0Darticleid0F33322680Golo0Frss/story01.htm</link><description>M dot Strange tells his story: what has driven him to become the creator of the hugely successful full-blown animated feature film, We Are the Strange. Recorded live at MacVideo Expo, London, M dot Strange previews, for the first time ever, excerpts from his new movie, soon to be released: Heart String Marionette.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/575/f/7359/s/1c16ed13/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=M+dot+Strange%3A+Live+in+London+%28part+2%29&amp;link=http%3A%2F%2Fwww.macvideo.tv%2Fmotion-graphics-vfx%2Ffeatures%2F%3Farticleid%3D3332268%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/bookmark.cfm?title=M+dot+Strange%3A+Live+in+London+%28part+2%29&amp;link=http%3A%2F%2Fwww.macvideo.tv%2Fmotion-graphics-vfx%2Ffeatures%2F%3Farticleid%3D3332268%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/bookmark.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/123995621437/u/0/f/7359/c/575/s/1c16ed13/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/123995621437/u/0/f/7359/c/575/s/1c16ed13/a2.img" border="0"/&gt;&lt;/a&gt;</description><enclosure url="http://rss.feedsportal.com/c/575/f/7359/e/1/s/1c16ed13/l/0Lcdn0Bmacvideo0Btv0Ccmsdata0Cfeatures0C33322680CMdotversion20Bjpg/Mdotversion2.jpg" length="100" type="image/jpeg" /><category domain="">motion-graphics-vfx</category><pubDate>Tue, 24 Jan 2012 11:16:00 GMT</pubDate><author>ricky_young@idg.co.uk (Rick Young)</author><guid isPermaLink="false">http://www.macvideo.tv/motion-graphics-vfx/features/?articleid=3332268</guid></item><item><title>M dot Strange: Live in London (part 1)</title><link>http://rss.feedsportal.com/c/575/f/7359/s/1e1c9dc5/l/0L0Smacvideo0Btv0Dolo0Frss/story01.htm</link><description>M dot Strange tells his story: what has driven him to become the creator of the hugely successful full-blown animated feature film, We Are the Strange. Recorded live at MacVideo Expo, London, M dot Strange previews, for the first time ever, excerpts from his new movie, soon to be released: Heart String Marionette.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/575/f/7359/s/1e1c9dc5/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=M+dot+Strange%3A+Live+in+London+%28part+1%29&amp;link=http%3A%2F%2Fwww.macvideo.tv%3Folo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/bookmark.cfm?title=M+dot+Strange%3A+Live+in+London+%28part+1%29&amp;link=http%3A%2F%2Fwww.macvideo.tv%3Folo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/bookmark.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;</description><category domain="">motion-graphics-vfx</category><pubDate>Tue, 17 Jan 2012 00:01:00 GMT</pubDate><author>ricky_young@idg.co.uk (Rick Young)</author><guid isPermaLink="false">http://www.macvideo.tv</guid></item><item><title>M dot Strange: Live in London (part 1)</title><link>http://rss.feedsportal.com/c/575/f/7359/s/1e0c3fda/l/0L0Spcadvisor0O0Cmotion0Egraphics0Evfx0Cfeatures0C0Darticleid0F3330A4250Golo0Frss/story01.htm</link><description>M dot Strange tells his story: what has driven him to become the creator of the hugely successful full-blown animated feature film, We Are the Strange. Recorded live at MacVideo Expo, London, M dot Strange previews, for the first time ever, excerpts from his new movie, soon to be released: Heart String Marionette.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/575/f/7359/s/1e0c3fda/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=M+dot+Strange%3A+Live+in+London+%28part+1%29&amp;link=http%3A%2F%2Fwww.pcadvisor.co.uk%2Fmotion-graphics-vfx%2Ffeatures%2F%3Farticleid%3D3330425%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/bookmark.cfm?title=M+dot+Strange%3A+Live+in+London+%28part+1%29&amp;link=http%3A%2F%2Fwww.pcadvisor.co.uk%2Fmotion-graphics-vfx%2Ffeatures%2F%3Farticleid%3D3330425%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/bookmark.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;</description><category domain="">motion-graphics-vfx</category><pubDate>Tue, 17 Jan 2012 00:01:00 GMT</pubDate><author>ricky_young@idg.co.uk (Rick Young)</author><guid isPermaLink="false">http://www.pcadvisor.co.uk/motion-graphics-vfx/features/?articleid=3330425</guid></item><item><title>M dot Strange: Live in London (part 1)</title><link>http://rss.feedsportal.com/c/575/f/7359/s/1bea26b4/l/0L0Smacvideo0Btv0Cmotion0Egraphics0Evfx0Cfeatures0C0Darticleid0F3330A4250Golo0Frss/story01.htm</link><description>M dot Strange tells his story: what has driven him to become the creator of the hugely successful full-blown animated feature film, We Are the Strange. Recorded live at MacVideo Expo, London, M dot Strange previews, for the first time ever, excerpts from his new movie, soon to be released: Heart String Marionette.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/575/f/7359/s/1bea26b4/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=M+dot+Strange%3A+Live+in+London+%28part+1%29&amp;link=http%3A%2F%2Fwww.macvideo.tv%2Fmotion-graphics-vfx%2Ffeatures%2F%3Farticleid%3D3330425%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/bookmark.cfm?title=M+dot+Strange%3A+Live+in+London+%28part+1%29&amp;link=http%3A%2F%2Fwww.macvideo.tv%2Fmotion-graphics-vfx%2Ffeatures%2F%3Farticleid%3D3330425%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/bookmark.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/123995401804/u/0/f/7359/c/575/s/1bea26b4/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/123995401804/u/0/f/7359/c/575/s/1bea26b4/a2.img" border="0"/&gt;&lt;/a&gt;</description><enclosure url="http://rss.feedsportal.com/c/575/f/7359/e/1/s/1bea26b4/l/0Lcdn0Bmacvideo0Btv0Ccmsdata0Cfeatures0C3330A4250CMdotversion10Bjpg/Mdotversion1.jpg" length="100" type="image/jpeg" /><category domain="">motion-graphics-vfx</category><pubDate>Tue, 17 Jan 2012 00:01:00 GMT</pubDate><author>ricky_young@idg.co.uk (Rick Young)</author><guid isPermaLink="false">http://www.macvideo.tv/motion-graphics-vfx/features/?articleid=3330425</guid></item><item><title>Sony PMW-F3; 14x Powerzoom and 11 - 16mm wide lens; SR Memory</title><link>http://rss.feedsportal.com/c/575/f/7359/s/1f031474/l/0L0Spcadvisor0O0Ccamera0Etechnology0Cfeatures0C0Darticleid0F33291660Golo0Frss/story01.htm</link><description>The PMW-F3 by Sony is complemented by the introduction of a wide short zoom, 11 - 16mm and a 14x Powerzoom, 18 - 252mm. Put this together with an SR-R1 4:4:4 recorder and you have a system designed for shooting at cinema quality.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/575/f/7359/s/1f031474/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Sony+PMW-F3%3B+14x++Powerzoom+and+11+-+16mm+wide+lens%3B+SR+Memory&amp;link=http%3A%2F%2Fwww.pcadvisor.co.uk%2Fcamera-technology%2Ffeatures%2F%3Farticleid%3D3329166%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/bookmark.cfm?title=Sony+PMW-F3%3B+14x++Powerzoom+and+11+-+16mm+wide+lens%3B+SR+Memory&amp;link=http%3A%2F%2Fwww.pcadvisor.co.uk%2Fcamera-technology%2Ffeatures%2F%3Farticleid%3D3329166%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/bookmark.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;</description><enclosure url="http://rss.feedsportal.com/c/575/f/7359/e/1/s/1f031474/l/0Lcdn0Bmacvideo0Btv0Ccmsdata0Cfeatures0C33291660CSonyCompsmall0Bjpg/SonyCompsmall.jpg" length="100" type="image/jpeg" /><category domain="">camera-technology</category><pubDate>Tue, 10 Jan 2012 19:46:00 GMT</pubDate><author>ricky_young@idg.co.uk (Rick Young</author><guid isPermaLink="false">http://www.pcadvisor.co.uk/camera-technology/features/?articleid=3329166</guid></item><item><title>Sony PMW-F3; 14x Powerzoom and 11 - 16mm wide lens; SR Memory</title><link>http://rss.feedsportal.com/c/575/f/7359/s/1e1c9dc7/l/0L0Smacvideo0Btv0Dolo0Frss/story01.htm</link><description>The PMW-F3 by Sony is complemented by the introduction of a wide short zoom, 11 - 16mm and a 14x Powerzoom, 18 - 252mm. Put this together with an SR-R1 4:4:4 recorder and you have a system designed for shooting at cinema quality.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/575/f/7359/s/1e1c9dc7/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Sony+PMW-F3%3B+14x++Powerzoom+and+11+-+16mm+wide+lens%3B+SR+Memory&amp;link=http%3A%2F%2Fwww.macvideo.tv%3Folo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/bookmark.cfm?title=Sony+PMW-F3%3B+14x++Powerzoom+and+11+-+16mm+wide+lens%3B+SR+Memory&amp;link=http%3A%2F%2Fwww.macvideo.tv%3Folo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/bookmark.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;</description><category domain="">camera-technology</category><pubDate>Tue, 10 Jan 2012 19:46:00 GMT</pubDate><author>ricky_young@idg.co.uk (Rick Young)</author><guid isPermaLink="false">http://www.macvideo.tv</guid></item><item><title>Sony PMW-F3; 14x Powerzoom and 11 - 16mm wide lens; SR Memory</title><link>http://rss.feedsportal.com/c/575/f/7359/s/1bb5817a/l/0L0Smacvideo0Btv0Ccamera0Etechnology0Cfeatures0C0Darticleid0F33291660Golo0Frss/story01.htm</link><description>The PMW-F3 by Sony is complemented by the introduction of a wide short zoom, 11 - 16mm and a 14x Powerzoom, 18 - 252mm. Put this together with an SR-R1 4:4:4 recorder and you have a system designed for shooting at cinema quality.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/575/f/7359/s/1bb5817a/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Sony+PMW-F3%3B+14x++Powerzoom+and+11+-+16mm+wide+lens%3B+SR+Memory&amp;link=http%3A%2F%2Fwww.macvideo.tv%2Fcamera-technology%2Ffeatures%2F%3Farticleid%3D3329166%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/bookmark.cfm?title=Sony+PMW-F3%3B+14x++Powerzoom+and+11+-+16mm+wide+lens%3B+SR+Memory&amp;link=http%3A%2F%2Fwww.macvideo.tv%2Fcamera-technology%2Ffeatures%2F%3Farticleid%3D3329166%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/bookmark.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/123757114221/u/0/f/7359/c/575/s/1bb5817a/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/123757114221/u/0/f/7359/c/575/s/1bb5817a/a2.img" border="0"/&gt;&lt;/a&gt;</description><enclosure url="http://rss.feedsportal.com/c/575/f/7359/e/1/s/1bb5817a/l/0Lcdn0Bmacvideo0Btv0Ccmsdata0Cfeatures0C33291660CSonyCompsmall0Bjpg/SonyCompsmall.jpg" length="100" type="image/jpeg" /><category domain="">camera-technology</category><pubDate>Tue, 10 Jan 2012 19:46:00 GMT</pubDate><author>ricky_young@idg.co.uk (Rick Young)</author><guid isPermaLink="false">http://www.macvideo.tv/camera-technology/features/?articleid=3329166</guid></item><item><title>Michael Wohl - features of Final Cut Pro X</title><link>http://rss.feedsportal.com/c/575/f/7359/s/1e1c9dc9/l/0L0Smacvideo0Btv0Dolo0Frss/story01.htm</link><description>Michael Wohl, who worked on the original Final Cut Pro development team, shows how to get the most out of Final Cut Pro X, by learning the subtle features and hidden tricks to speed up your workflow. Underneath the hood of what appears obvious, are many little "things" that makes this editor unique. Recorded at FCPUG IBC SuperMeet, September, 2011.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/575/f/7359/s/1e1c9dc9/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Michael+Wohl+-+features+of+Final+Cut+Pro+X&amp;link=http%3A%2F%2Fwww.macvideo.tv%3Folo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/bookmark.cfm?title=Michael+Wohl+-+features+of+Final+Cut+Pro+X&amp;link=http%3A%2F%2Fwww.macvideo.tv%3Folo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/bookmark.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;</description><category domain="">editing</category><pubDate>Sat, 07 Jan 2012 08:39:00 GMT</pubDate><author>ricky_young@idg.co.uk (Rick Young)</author><guid isPermaLink="false">http://www.macvideo.tv</guid></item><item><title>Michael Wohl - features of Final Cut Pro X</title><link>http://rss.feedsportal.com/c/575/f/7359/s/18944c96/l/0L0Smacvideo0Btv0Cediting0Cfeatures0C0Darticleid0F330A42920Golo0Frss/story01.htm</link><description>Michael Wohl, who worked on the original Final Cut Pro development team, shows how to get the most out of Final Cut Pro X, by learning the subtle features and hidden tricks to speed up your workflow. Underneath the hood of what appears obvious, are many little "things" that makes this editor unique. Recorded at FCPUG IBC SuperMeet, September, 2011.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/575/f/7359/s/18944c96/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/sendemail2.html?title=Michael+Wohl+-+features+of+Final+Cut+Pro+X&amp;link=http%3A%2F%2Fwww.macvideo.tv%2Fediting%2Ffeatures%2F%3Farticleid%3D3304292%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/bookmark.cfm?title=Michael+Wohl+-+features+of+Final+Cut+Pro+X&amp;link=http%3A%2F%2Fwww.macvideo.tv%2Fediting%2Ffeatures%2F%3Farticleid%3D3304292%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/bookmark.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/112925585078/u/0/f/7359/c/575/s/18944c96/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/112925585078/u/0/f/7359/c/575/s/18944c96/a2.img" border="0"/&gt;&lt;/a&gt;</description><enclosure url="http://rss.feedsportal.com/c/575/f/7359/e/1/s/18944c96/l/0Lcdn0Bmacvideo0Btv0Ccmsdata0Cfeatures0C330A42920CWohlIBC20A110Bjpg/WohlIBC2011.jpg" length="100" type="image/jpeg" /><category domain="">editing</category><pubDate>Sat, 07 Jan 2012 08:39:00 GMT</pubDate><author>ricky_young@idg.co.uk (Rick Young)</author><guid isPermaLink="false">http://www.macvideo.tv/editing/features/?articleid=3304292</guid></item><item><title>Best of MacVideo Movies 2011</title><link>http://rss.feedsportal.com/c/575/f/7359/s/1e1c9dcb/l/0L0Smacvideo0Btv0Dolo0Frss/story01.htm</link><description>10 of the best movies shown on MacVideo throughout 2011: featuring, Apple previews Final Cut Pro X; Walter Murch: the FCPX situation; Organising your footage using Final Cut Pro X; Michael Wohl - features of Final Cut Pro X; Shooting with the PMW-F3, Chasing the Ninja; Philip Bloom: Choosing the right camera for the job; Testing the Rycote softie&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/575/f/7359/s/1e1c9dcb/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Best+of+MacVideo+Movies+2011&amp;link=http%3A%2F%2Fwww.macvideo.tv%3Folo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/bookmark.cfm?title=Best+of+MacVideo+Movies+2011&amp;link=http%3A%2F%2Fwww.macvideo.tv%3Folo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/bookmark.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;</description><category domain="">editing</category><pubDate>Thu, 29 Dec 2011 00:12:00 GMT</pubDate><author>ricky_young@idg.co.uk (Rick Young)</author><guid isPermaLink="false">http://www.macvideo.tv</guid></item><item><title>Best of MacVideo Movies 2011</title><link>http://rss.feedsportal.com/c/575/f/7359/s/1b5a6e81/l/0L0Smacvideo0Btv0Cediting0Cfeatures0C0Darticleid0F33271750Golo0Frss/story01.htm</link><description>10 of the best movies shown on MacVideo throughout 2011: featuring, Apple previews Final Cut Pro X; Walter Murch: the FCPX situation; Organising your footage using Final Cut Pro X; Michael Wohl - features of Final Cut Pro X; Shooting with the PMW-F3, Chasing the Ninja; Philip Bloom: Choosing the right camera for the job; Testing the Rycote softie&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/575/f/7359/s/1b5a6e81/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/sendemail2.html?title=Best+of+MacVideo+Movies+2011&amp;link=http%3A%2F%2Fwww.macvideo.tv%2Fediting%2Ffeatures%2F%3Farticleid%3D3327175%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/bookmark.cfm?title=Best+of+MacVideo+Movies+2011&amp;link=http%3A%2F%2Fwww.macvideo.tv%2Fediting%2Ffeatures%2F%3Farticleid%3D3327175%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/bookmark.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/121587978116/u/0/f/7359/c/575/s/1b5a6e81/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/121587978116/u/0/f/7359/c/575/s/1b5a6e81/a2.img" border="0"/&gt;&lt;/a&gt;</description><enclosure url="http://rss.feedsportal.com/c/575/f/7359/e/1/s/1b5a6e81/l/0Lcdn0Bmacvideo0Btv0Ccmsdata0Cfeatures0C33271750CMovies20A0Bjpg/Movies20.jpg" length="100" type="image/jpeg" /><category domain="">editing</category><pubDate>Thu, 29 Dec 2011 00:12:00 GMT</pubDate><author>ricky_young@idg.co.uk (Rick Young)</author><guid isPermaLink="false">http://www.macvideo.tv/editing/features/?articleid=3327175</guid></item><item><title>Panasonic AG HPX250, P2 camcorder</title><link>http://rss.feedsportal.com/c/575/f/7359/s/1e541279/l/0L0Spcadvisor0O0Ccamera0Etechnology0Cfeatures0C0Darticleid0F3326180A0Golo0Frss/story01.htm</link><description>The AG HPX250 by Panasonic is a worthy successor to those which went before it - the ultra portable HPX170/171 and the ground breaking and hugely successful HVX200/201. The HPX250 is capable of recording AVC Intra 100 or 50 to P2 card and features a staggering zoom lens equivalent of 28mm to over 600mm in 35 photography terms. This camera represents a great all is one, fully capable shooting package.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/575/f/7359/s/1e541279/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Panasonic+AG+HPX250%2C+P2+camcorder&amp;link=http%3A%2F%2Fwww.pcadvisor.co.uk%2Fcamera-technology%2Ffeatures%2F%3Farticleid%3D3326180%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/bookmark.cfm?title=Panasonic+AG+HPX250%2C+P2+camcorder&amp;link=http%3A%2F%2Fwww.pcadvisor.co.uk%2Fcamera-technology%2Ffeatures%2F%3Farticleid%3D3326180%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/bookmark.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;</description><enclosure url="http://rss.feedsportal.com/c/575/f/7359/e/1/s/1e541279/l/0Lcdn0Bmacvideo0Btv0Ccmsdata0Cfeatures0C3326180A0CPanasonic440Bjpg/Panasonic44.jpg" length="100" type="image/jpeg" /><category domain="">camera-technology</category><pubDate>Tue, 20 Dec 2011 01:51:00 GMT</pubDate><author>ricky_young@idg.co.uk (Rick Young)</author><guid isPermaLink="false">http://www.pcadvisor.co.uk/camera-technology/features/?articleid=3326180</guid></item><item><title>Panasonic AG HPX250, P2 camcorder</title><link>http://rss.feedsportal.com/c/575/f/7359/s/1e1c9dcd/l/0L0Smacvideo0Btv0Dolo0Frss/story01.htm</link><description>The AG HPX250 by Panasonic is a worthy successor to those which went before it - the ultra portable HPX170/171 and the ground breaking and hugely successful HVX200/201. The HPX250 is capable of recording AVC Intra 100 or 50 to P2 card and features a staggering zoom lens equivalent of 28mm to over 600mm in 35 photography terms. This camera represents a great all is one, fully capable shooting package.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/575/f/7359/s/1e1c9dcd/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Panasonic+AG+HPX250%2C+P2+camcorder&amp;link=http%3A%2F%2Fwww.macvideo.tv%3Folo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/bookmark.cfm?title=Panasonic+AG+HPX250%2C+P2+camcorder&amp;link=http%3A%2F%2Fwww.macvideo.tv%3Folo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/bookmark.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;</description><category domain="">camera-technology</category><pubDate>Tue, 20 Dec 2011 01:51:00 GMT</pubDate><author>ricky_young@idg.co.uk (Rick Young)</author><guid isPermaLink="false">http://www.macvideo.tv</guid></item><item><title>Panasonic AG HPX250, P2 camcorder</title><link>http://rss.feedsportal.com/c/575/f/7359/s/1b1a55f2/l/0L0Smacvideo0Btv0Ccamera0Etechnology0Cfeatures0C0Darticleid0F3326180A0Golo0Frss/story01.htm</link><description>The AG HPX250 by Panasonic is a worthy successor to those which went before it - the ultra portable HPX170/171 and the ground breaking and hugely successful HVX200/201. The HPX250 is capable of recording AVC Intra 100 or 50 to P2 card and features a staggering zoom lens equivalent of 28mm to over 600mm in 35 photography terms. This camera represents a great all is one, fully capable shooting package.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/575/f/7359/s/1b1a55f2/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/sendemail2.html?title=Panasonic+AG+HPX250%2C+P2+camcorder&amp;link=http%3A%2F%2Fwww.macvideo.tv%2Fcamera-technology%2Ffeatures%2F%3Farticleid%3D3326180%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/bookmark.cfm?title=Panasonic+AG+HPX250%2C+P2+camcorder&amp;link=http%3A%2F%2Fwww.macvideo.tv%2Fcamera-technology%2Ffeatures%2F%3Farticleid%3D3326180%26olo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/bookmark.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://da.feedsportal.com/r/121585479263/u/0/f/7359/c/575/s/1b1a55f2/a2.htm"&gt;&lt;img src="http://da.feedsportal.com/r/121585479263/u/0/f/7359/c/575/s/1b1a55f2/a2.img" border="0"/&gt;&lt;/a&gt;</description><enclosure url="http://rss.feedsportal.com/c/575/f/7359/e/1/s/1b1a55f2/l/0Lcdn0Bmacvideo0Btv0Ccmsdata0Cfeatures0C3326180A0CPanasonic440Bjpg/Panasonic44.jpg" length="100" type="image/jpeg" /><category domain="">camera-technology</category><pubDate>Tue, 20 Dec 2011 01:51:00 GMT</pubDate><author>ricky_young@idg.co.uk (Rick Young)</author><guid isPermaLink="false">http://www.macvideo.tv/camera-technology/features/?articleid=3326180</guid></item><item><title>Simon Walker presents Grading in Premiere Pro</title><link>http://rss.feedsportal.com/c/575/f/7359/s/1e1c9dcf/l/0L0Smacvideo0Btv0Dolo0Frss/story01.htm</link><description>Apple Certified Master Trainer and Adobe Certified Instructor Simon Walker has been migrating from grading in FCP7 and Color, to using the tools in Adobe's Production Premium to colour correct and grade footage. In this session he shares some of the processes he has found useful, and how plug-ins help him work faster.&lt;img width='1' height='1' src='http://rss.feedsportal.com/c/575/f/7359/s/1e1c9dcf/mf.gif' border='0'/&gt;&lt;div class='mf-viral'&gt;&lt;table border='0'&gt;&lt;tr&gt;&lt;td valign='middle'&gt;&lt;a href="http://share.feedsportal.com/viral/sendEmail.cfm?lang=en&amp;title=Simon+Walker+presents+Grading+in+Premiere+Pro&amp;link=http%3A%2F%2Fwww.macvideo.tv%3Folo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/emailthis2.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign='middle'&gt;&lt;a href="http://res.feedsportal.com/viral/bookmark.cfm?title=Simon+Walker+presents+Grading+in+Premiere+Pro&amp;link=http%3A%2F%2Fwww.macvideo.tv%3Folo%3Drss" target="_blank"&gt;&lt;img src="http://res3.feedsportal.com/images/bookmark.gif" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;/div&gt;</description><category domain="">editing</category><pubDate>Tue, 13 Dec 2011 20:56:00 GMT</pubDate><author>ricky_young@idg.co.uk (Rick Young)</author><guid isPermaLink="false">http://www.macvideo.tv</guid></item></channel></rss>

